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About... Epics Indian culture

Epics, Vedas and more

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What is an Epic?

An epic is a long narrative poem that typically tells the story of heroic deeds and adventures. Epics usually involve a protagonist who is a legendary or mythological figure and who undertakes a quest or journey of great significance. The style and structure of epics vary across cultures and time periods, but they often include themes such as bravery, honor, love, and the struggle between good and evil.

Epics can be found in many different cultures, including ancient Greek, Roman, Indian, and Norse cultures. Some of the most famous examples of epic poetry include Homer’s Iliad and Odyssey, the Mahabharata and Ramayana of India, and the epic poems of Beowulf and Gilgamesh. In addition to poetry, the term “epic” is sometimes used to describe other types of works, such as films, novels, and video games, that share similar themes and storytelling techniques.

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How long are these epics?

In terms of length, complexity, and number of characters, the Mahabharata is one of the longest and most complex epic poems in the world. It consists of over 100,000 verses and tells the story of a great war between two branches of a royal family in ancient India. The Mahabharata includes a vast cast of characters, each with their own complex motivations and relationships, as well as philosophical and moral discussions about the nature of existence, duty, and righteousness.

The Ramayana is another ancient Indian epic poem, similar to the Mahabharata in terms of its cultural significance and literary complexity. It tells the story of the prince Rama, who sets out to rescue his wife Sita from the demon king Ravana. The Ramayana is also a lengthy work, consisting of over 24,000 verses.

While the Ramayana is not as long as the Mahabharata, it is still a complex and nuanced work that explores themes such as loyalty, love, and duty.

The Iliad and Odyssey, both attributed to the ancient Greek poet Homer, are also long and complex epic poems. The Iliad tells the story of the Trojan War, while the Odyssey follows the journey of the Greek hero Odysseus as he tries to return home after the war. Both poems feature a large cast of characters and explore themes such as heroism, honor, and the relationships between mortals and gods.

The Epic of Gilgamesh, an ancient Mesopotamian epic, is another long and complex work that features a variety of characters and themes. It tells the story of the eponymous king and his search for immortality, and includes themes such as friendship, mortality, and the relationship between humans and the divine.

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How complex are the Indian epics?

There are many supporting stories, subplots, and smaller epics within the Mahabharata and Ramayana that focus on individual characters and their stories in more detail.

For example, within the Mahabharata, there are many subplots and stories that focus on individual characters such as Bhishma, Karna, Draupadi, and Arjuna. These stories explore their backgrounds, motivations, and relationships, and provide greater depth and complexity to the overall narrative of the Mahabharata.

The Mahabharata: Complete and Unabridged (Set of 10 Volumes with Box)

Mahabharata by Amar Chitra Katha- The Birth of Bhagavad Gita- 42 Comic Books in 3 Volumes

Check more options for Mahabharata books

Similarly, within the Ramayana, there are many supporting stories and subplots that focus on characters such as Hanuman, Ravana, and Sita. These stories provide greater detail and nuance to the characters and their motivations, and add to the overall richness and complexity of the Ramayana.

Read the Ramayana – see several options

Valmiki’s Ramayana: The Great Indian Epic (Amar Chitra Katha) – Illustrated Comics

Where are these sub plots and stories told?

The stories and characters of the Ramayana and Mahabharata are primarily found in the Puranas and other related texts.

What are Puranas?

The Puranas, which are a collection of ancient Indian texts, and contain many stories and characters from the epics. They are divided into different categories, such as the Mahapuranas and Upapuranas, and include stories about various deities, heroes, and historical figures, as well as philosophical and moral teachings.

Bhagavata Purana

Also known as Srimad Bhagavatam, it is considered one of the most important Puranas by many Indians. It is dedicated to Lord Vishnu and includes stories of his various incarnations, including Lord Krishna. It also includes philosophical discussions and teachings on dharma (duty), karma (consequences of actions), and bhakti (devotion to the divine).

Vishnu Purana

This Purana is dedicated to Lord Vishnu and includes stories of his various avatars, as well as descriptions of creation and cosmology. It also includes discussions of dharma, karma, and other spiritual topics.

Shiva Purana

This Purana is dedicated to Lord Shiva and includes stories of his various forms and manifestations. It also includes discussions of creation, cosmology, and various spiritual practices associated with Shiva worship.

Markandeya Purana

This Purana is named after the sage Markandeya and includes stories and teachings related to Lord Vishnu and his various avatars. It also includes discussions of karma, dharma, and various spiritual practices.

Agni Purana

This Purana is dedicated to the god Agni and includes stories related to him, as well as discussions of various spiritual practices and rituals. It also includes descriptions of astronomy, astrology, and other topics.

Padma Purana

This Purana is named after the lotus flower that is associated with Lord Vishnu. It includes stories related to Lord Vishnu and his various avatars, as well as discussions of various spiritual practices and topics.

These are just a few examples of the many Puranas that exist. Each Purana typically focuses on a particular deity or set of deities and includes stories, teachings, and discussions related to that deity or set of deities.

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What are the Vedas?

The Vedas are a collection of four sacred texts that are considered the oldest and most authoritative scriptures of Hinduism.

Read the Vedas in English

They were composed in Vedic Sanskrit, an ancient form of the language, between 1500 BCE and 500 BCE. The four Vedas are:

Rigveda

The oldest and most important of the four Vedas, consisting of hymns and prayers addressed to various deities.

Yajurveda

A collection of ritual texts and instructions for performing Vedic ceremonies and sacrifices.

Samaveda

A collection of melodies and chants used in Vedic rituals.

Atharvaveda

A collection of incantations, and prayers used for a variety of purposes, including healing, protection, and success in battle.

The above are ultra simplified descriptions of the actual content which is very nuanced and voluble.

There are also many other texts associated with the Vedas, such as the Brahmanas, Aranyakas, and Upanishads, which provide further commentary and interpretation on the Vedas.

Read the Vedas in English

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What are the Upanishads?

The Upanishads are a collection of philosophical and spiritual texts that explore the nature of reality, the self, and the ultimate goal of human existence (yes, they were asking these questions a very very long time ago and had quite a bit to discuss about what they thought about these).

There are over 200 Upanishads, but the most important ones are the Principal Upanishads, which include the Brihadaranyaka Upanishad, the Chandogya Upanishad, and the Taittiriya Upanishad.

The Upanishads are considered to be the end portion of the Vedas, and were composed between 800 BCE and 500 BCE. They are written in prose and contain dialogues between teachers and students, as well as stories and parables that illustrate philosophical concepts in an easy to understand format.

Read the Upanishads in English

Here are some of the most well-known Upanishads, along with brief descriptions:

Brihadaranyaka Upanishad

This is one of the oldest and largest, and is often considered one of the most important. It includes discussions of the nature of Brahman, the supreme reality, and the relationship between the individual soul (atma) and the universal soul (paramatma). (The word soul in English is loosely used here – there are several words in Sanskrit and quite frankly in many languages around the world, which are technically non-translatable – as some concepts and words are harder to get across)

Chandogya Upanishad

This includes discussions of various spiritual practices, including meditation, sacrifice, and the proper recitation of mantras. It also includes discussions of the nature of the self and the relationship between the self and the universe.

Taittiriya Upanishad

This includes discussions of the nature of the self and the universe, as well as various spiritual practices such as meditation, sacrifice, and the recitation of mantras.

Katha Upanishad

This includes the famous story of Nachiketa, a young boy who meets with Yama, the lord of death, and learns about the nature of the self and the universe.

Isha Upanishad

This includes discussions of the nature of Brahman and the relationship between the individual soul and the universal soul. It also includes discussions of various spiritual practices and the concept of karma.

Mundaka Upanishad

This includes discussions of the nature of Brahman and the relationship between the individual soul and the universal soul. It also includes discussions of various spiritual practices and the concept of liberation.

These are just a few examples of the many that exist. Each typically includes discussions of various spiritual practices, as well as philosophical and metaphysical discussions related to the nature of the self and the universe.

Read the Upanishads in English

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What is Itihasa?

In Indian tradition, Itihasa refers to the genre of historical narrative. The two great epics of India, the Ramayana and the Mahabharata, are traditionally considered Itihasa, which means “thus indeed it happened” or “so it was”.

Well, it depends on a lot of things!

This is because they are believed to be based on actual historical events, although some parts of the stories are often hard to come to terms with, since they talk of things which in the modern day, some modern scholars find hard to believe could ever be real a long time ago – so must be tall tales…

For example: there is mention of people traveling around on earth and between different worlds – in vimanas (literally flying craft – or airborne vehicles), beings (or a distinctly different kind of people) visiting from different worlds, people traveling between different dimensions (existing in the same place), the passage of time differently when traveling in space and so many things which were only possible or even theorized as potentially possible in modern day in the past few decades.

Vimana – Wikipedia

Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The “Pushpaka Vimana” of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also mentioned in Jain texts.

Vimanas – Flying craft

Theory Of Relativity, Time-Travel and Astrophysics in VEDAS & Ancient India!!

The theory of relativity was published by Albert Einstein in 1905. The simple and basic definition of relativity goes like this: Time is relative to the observer and speed of time depends on the frame of reference of the observer and the force of gravitation on different planes.

Ancient references to what looks like the theory of relativity

Additionally, there is mention of usage of some weaponry which sounds very strange and yet very familiar:

Brahmastra – Wikipedia

From Wikipedia, the free encyclopedia In Hindu mythology, the Brahmastra ( IAST: Brahmāstra) is an (projectile weapon) that is said to be able to destroy the whole universe, capable of destroying creation and vanquishing all beings. Only Parashurama, Rama, Meghanada, Bhishma, Drona, Karna, Ashwatthama, and Arjuna and Lakshmana possessed the knowledge to invoke this weapon.

What is Brahmastra?

In both Mahabharata and Ramayana, there is a description of a weapon called the Brahmastra, which is said to have the power to destroy entire armies and cities or calibrated to destroy whole worlds (kind of like the death star’s (from Star Wars) lasers in an arrow). The descriptions of the Brahmastra in the Mahabharata suggest the after-effects of the weapon resemble radiation sickness.

According to the text, the weapon caused a “great destruction of the earth” and left behind a “terrible aftermath.” The text describes how the land became barren and how the water turned to poison, killing all living creatures. It also describes how the survivors of the weapon suffered from a range of symptoms, including hair loss, skin lesions, and birth defects in their children.

Some scholars have suggested that this weapon was similar to a nuclear weapon or a missile, but others argue that it was a more mythical and symbolic weapon.

The use of the term Itihasa for the Ramayana and the Mahabharata reflects the belief that they are not just mythological stories, but rather accounts of real historical events that have been passed down through generations. The cities mentioned do exist. Some as ruins, some as living cities and some submerged deep in the ocean, flooded some 9-10 thousand years ago (estimated).

These epics are also regarded as sacred texts not just in India but also in a lot of countries around South East Asia, and are studied for their moral, ethical, and philosophical teachings.

The term Itihasa is often used in contrast to the term Purana, which refers to a different genre of Hindu literature that focuses on mythology, cosmology, and other aspects of India tradition. While the Puranas also contain stories of gods and goddesses, they are not considered historical narratives in the same way that the Ramayana and the Mahabharata are.

At the end of the day, one can read and wonder. And a wonderful collection of stories, philosophies and different texts they all are. All of those who read them and ponder and wonder can definitely walk away with a different approach to life, values, adherence to truth, duty, loyalty, existential philosophy and spirituality.

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About... Epics Indian culture

What is Mahabharata?

Table of Contents

What is the Mahabharata?

Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana. It is a story of dynastic struggle and conflict between two sides of a royal family, the Kuru dynasty, the Pandavas and Kauravas – which leads to a great war. The Mahabharata is believed to have been composed between 400 BCE to 400 CE and is attributed to the sage Vyasa.

Vyasa – Wikipedia

Krishna Dvaipayana ( Sanskrit: कृष्णद्वैपायन, Kṛṣṇadvaipāyana), better known as Vyasa (; Sanskrit: व्यासः, Vedavyasa (वेदव्यासः, Vyāsaḥ, ‘compiler’) or Veda-vyāsaḥ, “the one who classified the Vedas”), is a revered sage portrayed in most Hindu traditions. He is traditionally regarded as the author of the epic Mahabharata .

Who was Bhishma?

The story of Mahabharata starts with the Kuru dynasty, where the great warrior Devavrata also known as Gangaputra (son of King Shantanu and the goddess of the river Ganga).

King of Hastinapura, Shantanu, falls in love with a woman named Satyavati, who agreed to marry him on the condition that their children would inherit the throne.

Gangaputra or Devavrata takes an oath of celibacy so he will never have any heirs and abdicates his right to the throne of the empire
Bheeshma taking the oath – Source
Print by Raja Ravi Varma Copyright

Gangaputra or Devavrata then takes an oath to remain celibate so he will never have any heirs and abdicates his right to the throne of the empire – so his father can give his word to Satyavati – and since his oath was selfless and of such great significance he was later known as Bheeshma.

Bhishma – Wikipedia

Bhīṣma , lit. ’Terrible )’), also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epic Mahabharata. He was the only character who witnessed the entirety of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom.

Bheesma or Bhishma

Bheeshma was known for his valor, intelligence, and unwavering loyalty to his family. He was also an exceptional archer and skilled in the use of various weapons.

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Shantanu and Satyavati had two sons – Chitrangada and Vichitravirya – but both died without any heirs.

Satyavati then convinced her son Vyasa (who was born before she was married to Shantanu) to father children with Vichitravirya’s wives, Ambika and Ambalika.

Ambika gave birth to Dhritarashtra, who was blind, and Ambalika gave birth to Pandu. Though his brother the heir to the throne was blind and thus not eligible to be the king, Pandu insists that he still be coronated as Emperor and serves the empire by expanding and assisting his older brother.

The Pandavas

He then decides to retire with his two wives to live in the forest and they have 5 sons (3 to Kunti and 2 to Madri). The five brothers were Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva respectively. They were known as the Pandavas (Sons of King Pandu)

A print by Raja Ravi Varma depicting the Pandavas with Draupadi - Mahabharata
A print by Ravi Varma Press depicting the Pandava brothers
Yudhishthira (centre), Bhima (bottom left), Arjuna (bottom right),
 Nakula and Sahadeva (both standing beside the throne)—with Draupadi.
The Kauravas

The Kuru dynasty is now divided into two families, the Pandavas and the Kauravas. The Kauravas were the hundred sons of Dhritarashtra, the blind emperor of Hastinapura, and his wife Gandhari. The Kauravas were headed by Duryodhana, the eldest and most powerful of the brothers.

Kaurava – Wikipedia

From Wikipedia, the free encyclopedia Kaurava is a Sanskrit term which refers to descendants of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic Mahabharata . Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari.

The Pandavas and Kauravas were raised together in Hastinapura, but their childhood was marked by rivalry and conflict. The Kauravas, led by Duryodhana, were jealous of the Pandavas’ skills and popularity, and sought to undermine them at every opportunity.

Duryodhana – Wikipedia

Duryodhana ( Sanskrit: दुर्योधन, IAST: ) also known as Suyodhana, is the primary antagonist in the Hindu epic Mahabharata. He was the eldest of the Kauravas, the hundred sons of the blind king Dhritarashtra and his queen Gandhari.

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The Mahabharata: Complete and Unabridged (Set of 10 Volumes with Box)

Mahabharata by Amar Chitra Katha- The Birth of Bhagavad Gita- 42 Comic Books in 3 Volumes

Check more options for Mahabharata books

Drona

As young men, the Pandavas were sent to study under the sage Drona, who taught them the art of warfare, along with the Kauravas.

Drona – Wikipedia

In the epic, he serves as the royal preceptor of the Kauravas and the Pandavas. He is one of the primary counsellors and warriors featured in the epic. He is a friend of Sukracharya, the guru of the asuras, as well as Mahabali.

However, Drona favored the Pandavas, which only fueled Duryodhana’s resentment.

Karna

Meanwhile, the story of Karna adds a significant dimension to the rivalry between the Pandavas and Kauravas. Karna was born to Kunti before she was married to Pandu, and was abandoned as a baby.

Karna - the son of Kunti - and the Pandavas' step brother fights for the Kauravas - in this he is fighting Ghatotkacha a son of Bheema - Mahabharata story
Karna inside the chariot fighting Ghatotkacha (son of Bhima the second Pandava) standing over horses, Kota, Rajasthan. This artwork – as Patung Satria Gatotkaca – is also found near the Denpasar airport, Bali, Indonesia.

He was raised by a charioteer, but grew up to become a skilled warrior and friend of Duryodhana. Karna’s desire to prove himself to the world and his loyalty to Duryodhana made him an antagonist to the Pandavas.

Sabha Parva – Wikipedia

Toggle the table of contents From Wikipedia, the free encyclopedia Sabha Parva, also called the “Book of the Assembly Hall”, is the second of eighteen books of Mahabharata.[1] Sabha Parva traditionally has 10 parts and 81 chapters.[2] [3] The critical edition of Sabha Parva has 9 parts and 72 chapters.[4] [5] Sabha Parva starts with the description of the palace and assembly hall ( sabha) built by Maya, at Indraprastha.

The part of the story where it comes to a head is the Game of Dice

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The Exile

As the story unfolds, a game of dice becomes the turning point in the rivalry between the Pandavas and Kauravas. Duryodhana invites Yudhishthira to a game of dice and cheats to win, the Pandavas lose their kingdom and are forced to go into exile for twelve years, followed by a year of living incognito.

During their exile, the Pandavas have various adventures and learn new skills. Arjuna, in particular, receives training in archery from the god Indra and acquires various celestial weapons, including the powerful Brahmastra.

At the end of their exile, the Pandavas demand their rightful share of the kingdom, but Duryodhana refuses to give it up. This leads to a war between the two sides, which becomes the central event of the Mahabharata.

Krishna in the Mahabharata – Wikipedia

In the Hindu epic Mahabharata, Krishna is the son of the Yaduvamsha chief Vasudeva and his wife Devaki. He is also widely known by his epithet, Vāsudeva. Krishna was the key political figure in overthrowing Kamsa, the king of Surasena Kingdom. The kingdom of Shurasena was the native kingdom of Yadava clans constituted by the Andhakas, Vrishnis, and Bhojas.

The war at Kurukshetra

The war is fought between the Pandavas and their allies, including Krishna, and the Kauravas and their allies, including Karna in a place called Kurukshetra, a town which exists in Northern India to this day.

The war lasts for eighteen days and is one of the bloodiest conflicts in human history. The war is described in great detail in the Mahabharata, with various battles and heroic feats on both sides.

The central dilemma faced by Arjuna before the start of the war is also a significant part of the story.

The Mahabharata: Complete and Unabridged (Set of 10 Volumes with Box)

Mahabharata by Amar Chitra Katha- The Birth of Bhagavad Gita- 42 Comic Books in 3 Volumes

Check more options for Mahabharata books

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Arjuna’s Dilemma – and the solution – Bhagawad Gita

Arjuna is overcome with doubt and despair at the thought of fighting his own relatives and friends, but Krishna counsels him on the nature of duty and detachment, leading to the teachings of the Bhagavad Gita.

Get a copy of the Bhagawad Gita

The war involves the use of various celestial weapons, including the Brahmastra and Narayanastra, and leads to the deaths of many prominent warriors, including Bhishma, Drona, Karna, son’s of the Pandavas and the Kauravas themselves.

Image showing Arjuna in a chariot driven by Lord Krishna - his friend, mentor and spiritual guide - who promises the kauravas he will not yield a weapon in the Mahabharata war
Arjuna in his chariot driven by Lord Krishna – Source

The war ends with the Pandavas emerging victorious, and Yudhishthira becomes the king of Hastinapura. However, the victory comes at a great cost, and the Pandavas are left with a profound sense of loss and grief.

Many years after the war, a great flood devastates the land, and the Pandavas, along with many of their allies, decide to renounce the world and embark on a journey to the heavens.

However, one by one, the Pandavas and Draupadi fall on their journey. Only Yudhishthira is able to reach heaven, accompanied by his faithful dog. There, he finds his brothers and Draupadi, who have all been sent to various parts of heaven according to their merits and demerits.

The Mahabharata is an epic tale of family, rivalry, love, loyalty, and duty. It has been passed down through the ages as an oral tradition, with various versions and interpretations.

The first known written version of the Mahabharata is attributed to the sage Vyasa, who is said to have composed it in Sanskrit around 400 BCE.

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What is the Bhagawad Gita?

The Bhagavad Gita (literally translates to God’s words), which is a central part of the Mahabharata, is a philosophical dialogue between Arjuna and Krishna on the nature of duty and detachment.

It is often interpreted as a guide to ethical and moral behavior, and has been widely studied and revered by Hindus and non-Hindus alike.

The Bhagavad Gita is a section of the Mahabharata and is considered one of the most important philosophical texts in Hinduism.

Image depicting the imparting of the Bhagawad Gita - Lord Krishna explaining to Arjuna his duty as a warrior before the Mahabharata war
Lord Krishna giving advice to Arjuna on the battlefield. This dialog is the Bhagavad Gita – or the word of God – Image Source

In the Bhagavad Gita, the god Krishna imparts spiritual teachings to the warrior Arjuna on the battlefield of Kurukshetra, just before the start of the great war. The Bhagavad Gita presents various philosophical and spiritual concepts, including the nature of the self, the meaning of action and detachment, and the path to ultimate liberation. It emphasizes the importance of devotion, doing one’s duty (dharma), knowledge, and surrender to the divine.

Get a copy of the Bhagawad Gita

Bhagavad Gita – Wikipedia

The Bhagavad Gita (; Sanskrit: श्रीमद्भगवद्गीता, śrīmadbhagavadgītā, ‘The Beautiful Song by God’;), often referred to as the Gita ( IAST: ), is a 700- verse Hindu scripture that is part of the epic Mahabharata (chapters 23-40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis.

Top Image Source

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What movies were made on the Mahabharata?

Like the Ramayana, Mahabharata is a beloved epic. Both are stories which will take days just to read the high level stories.

On TV series were made twice – and ran for a long time. Both were very popular in and outside India.

The first series aired – 1988-1990 and the next on aired 2013-2014

Mahabharat made in Northern India (Hindi) 1965 – Read More

However, like Ramayana – the telugu film industry from southern India also produced a lot of movies dealing with specific parts of the story and those are at least 2.5 – 3 hrs long for really small portions of the story. Below are some of those.

Daana Veera Soora Karna – tells the story of ONE Key character – Karna – Read more
Bala Bharatam – story about the young Pandavas and Kauravas – Read more
Kurukshetram – The events leading up to the final battle at Kurukshetram – Read More

List of characters in the Mahabharata – Wikipedia

The Mahabharata is one of the two major Sanskrit epics of ancient India; it was composed by the sage Vyasa. The most important characters of Mahabharata can be said to include: Krishna; the Pandavas – Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, along with their wife Draupadi; and the Kauravas (who were a hundred brothers), led by the eldest brother, Duryodhana.

Check the above link to get an idea of how complex the epic of Mahabharata is – the sheer number of characters and their back stories and how they all play a part is what makes the story interesting and teaches a lot of life lessons to the readers/listeners.

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What other countries venerate the Mahabharata?

The Mahabharata is an ancient Indian epic poem that is widely regarded as one of the greatest works of literature in the world.

Its influence on Indian culture, history, arts, and philosophies is immense, but it has also had a significant impact on neighboring countries. Here are some details by country:

Nepal: Nepal has close cultural ties with India, and the Mahabharata is an integral part of Nepalese culture. Many Nepalese temples and shrines have depictions of scenes from the Mahabharata, and the epic has had a significant impact on Nepalese literature, music, and art.

Bhutan: Bhutan has a strong Buddhist tradition, but the Mahabharata has still had an impact on Bhutanese culture. The epic has been translated into the Bhutanese language, and its themes and stories have been incorporated into Bhutanese folklore and legends.

Myanmar (Burma): The Mahabharata has had a significant impact on Burmese culture, especially in the area of literature. Burmese translations of the Mahabharata have been popular for centuries, and many Burmese writers have drawn inspiration from the epic.

Sri Lanka: The Mahabharata has had a significant impact on Sri Lankan culture, particularly on the island’s Hindu and Buddhist communities. The epic has been translated into Sinhalese and Tamil, and its themes and stories have been incorporated into Sri Lankan literature and art.

Thailand: The Mahabharata has had a limited impact on Thai culture, but there are some significant connections. Thai classical dance and drama often draw on stories and themes from the Mahabharata, and there are some depictions of scenes from the epic in Thai art.

Indonesia: The Mahabharata has had a significant impact on Indonesian culture, especially on the island of Java. The epic has been translated into Indonesian, and its themes and stories have been incorporated into Javanese folklore and literature. The wayang kulit, a form of shadow puppetry, often features stories from the Mahabharata.

Cambodia: The Mahabharata has had a significant impact on Cambodian culture, particularly in the area of dance and drama. Cambodian classical dance often draws on stories and themes from the Mahabharata, and there are some depictions of scenes from the epic in Cambodian art.

Laos: The Mahabharata has had a limited impact on Lao culture, but there are some connections. The epic has been translated into Lao, and some Lao literature and art draw on stories and themes from the Mahabharata.

Vietnam: The Mahabharata has had a limited impact on Vietnamese culture, but there are some significant connections. Vietnamese translations of the Mahabharata have been popular for centuries, and some Vietnamese literature and art draw on stories and themes from the epic.

Overall, the Mahabharata has had a wide-reaching impact on the cultures of many countries beyond India, particularly in Southeast Asia. Its stories and themes continue to inspire and resonate with people across borders and cultures, making it a truly universal epic.

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Disclaimer:

This is NOT an exhaustive excerpt. It takes days or weeks to go through the entire volume of work for this epic.

Each character has origin stories in great detail and those details help the reader or listener to understand the complexity of that character and their ultimate role in the entire story.

The above is a heavily summarized version and by no means should it be considered as an accurate representation. It is simply an attempt to introduce the epic to someone who has no idea of what this is all about.

Categories
About... Epics Indian culture

What is Ramayana?

Ramayana is an ancient Indian epic poem that tells the story of Prince Rama.

Ramayana is one of the two major Sanskrit epics of ancient India, the other being the Mahabharata.

Once upon a time, in the land of Bharata (modern day Indian Subcontinent), there was a great kingdom called Ayodhya.

Ayodhya (Ramayana) – Wikipedia

Ayodhya is a legendary city mentioned in the ancient Sanskrit-language texts, including the and the Mahabharata . These texts describe it as the capital of the Ikshvaku kings, including Rama. The historicity of this legendary city is of concern to the Ayodhya dispute. According to one theory, it is same as the present-day Ayodhya city.

Rama was born as the eldest son of King Dasharatha of Ayodhya and his queen Kausalya. He grew up to be a skilled warrior, and along with his brothers Lakshmana, Bharata, and Shatrughna, was trained in various arts and sciences by the sage Vashishta. Rama married Sita, the daughter of King Janaka of Mithila, after winning her hand in a competition.

Rama Breaks the Bow
Rama Breaks the Bow and wins Sita’s hand in Marriage – Source

After Rama’s father Dasharatha was compelled by the promise he made to his wife Kaikeyi, Rama was exiled to the forest for fourteen years.

Read the Ramayana – see several options

Valmiki’s Ramayana: The Great Indian Epic (Amar Chitra Katha) – Illustrated Comics

Dasharatha – Wikipedia

Dasharatha ( Sanskrit: दशरथ, IAST: Daśaratha; born Nemi) was the king of the Kosala kingdom and a scion of the Suryavamsha dynasty in Hinduism. He ruled from his capital at Ayodhyā. Dasharatha had three primary consorts: Kausalya, Kaikeyi, and Sumitra, and from these unions were born Shanta, Rama, Bharata, Lakshmana, and Shatrughna.

Sita and Lakshmana accompanied him during his exile. In the forest, Rama faced numerous challenges and fought several rakshasas, including Surpanakha, the sister of Ravana.

Ravana abducts Sita
Ravana abducts Sita, Jatayu tries to save her – Source By Raja Ravi Varma

Ravana, the powerful Rakshasa (Demon like peoples) king of Lanka, heard about Sita’s beauty and resolved to make her his own.

Ravana – Wikipedia

Ravana (; Sanskrit: रावण, IAST: , pronounced ) is a multi-headed rakshasa (demon) king of the island of Lanka, and the chief antagonist in the Hindu epic Ramayana. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and rakshasi Kaikesi.

He sent his rakshasa warrior Maricha to abduct Sita, who was alone at the time. Sita refused to go with Maricha and called out for Rama and Lakshmana, who were away at the time. Lakshmana later drew a protective line around the hut where Sita was staying, warning her not to cross it.

Read the Ramayana – see several options

Valmiki’s Ramayana: The Great Indian Epic (Amar Chitra Katha) – Illustrated Comics

Rama and Lakshmana find Jatayu
Rama and Lakshmana find Jatayu Source

After discovering that Sita was missing, Rama and Lakshmana set out to find her.

Hanuman – Wikipedia

Hanuman (; Sanskrit: हनुमान्, IAST: ), also called Maruti ( Sanskrit: मारुति) and Anjaneya ( Sanskrit: आञ्जनेय), is a Hindu god and a divine companion of the god Rama. Hanuman is one of the central characters of the Hindu epic . He is an ardent devotee of Rama and one of the chiranjivis.

They met Hanuman, the vanara (half human-half ape) warrior god, who pledged to help them in their quest.

Hanuman carries Rama and Lakshmana
Hanuman transports Rama and Lakshmana Source

With Hanuman’s help, they eventually located Sita in Lanka.

Rama formed alliances with various Vanara armies, including the army of Sugriva, whom he helps defeat his brother Vali, and began to make preparations for an attack on Lanka.

Rama shoots an arrow at Vali

Sugriva – Wikipedia

Sugriva ( Sanskrit: सुग्रीव, sugrīva, lit. ’beautiful necked’) is a character In the ancient Indian epic Ramayana. He is the younger brother of Vali, whom he succeeded as ruler of the vanara kingdom of Kishkindha. Rumā is his wife. He is a son of Surya, the Hindu deity of the sun.

To reach Lanka, Rama’s army had to cross the sea. They sought the help of the god of the sea, Varuna, but he refused to aid them.

Rama challenges the Ocean and Sea God
Rama challenges the God of the seas and oceans

Undeterred, Rama and his army built a bridge across the sea with the help of the vanara army. They fought and defeated several rakshasas along the way.

Rama's army builds a bridge
Rama’s army builds a bridge across the ocean – Source

Adam’s Bridge – Wikipedia

Adam’s Bridge, also known as Rama’s Bridge or Rama Setu , is a chain of natural limestone shoals, between Pamban Island, also known as Rameswaram Island, off the south-eastern coast of Tamil Nadu, India, and Mannar Island, off the north-western coast of Sri Lanka.

The war with Ravana’s army was long and bloody, with both sides suffering heavy losses. Ravana’s brother Vibhishana defected to Rama’s side, providing valuable intelligence about Ravana’s army.

Hanuman brings the whole mountain with medicinal herbs to help Lakshmana
Hanuman carries back the whole mountain with herbs for Lakshmana

Lakshmana is mortally wounded by Ravana’s powerful son but Hanuman saves the day by bringing a whole mountain full of potent herbs to help save him. (More Details)

Lord Anjaneya or Hanuman
Lord Hanuman or Anjaneya – Source

Rama’s loyal friend and servant, Hanuman, was also instrumental in the war, destroying several rakshasa warriors and killing Ravana’s son.

Rama and Lakshmana fight with Ravana and his army
Rama and Lakshmana, with the vanaras, fight with Ravana and his army – Source

Rama and his army emerged victorious in the war, and Ravana was killed by Rama himself.

Rama and Sita return with the vanaras on the Pushpaka Vimana
Rama and Sita return with the vanaras on the Pushpaka Vimana

Vimana – Wikipedia

Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The “Pushpaka Vimana” of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also mentioned in Jain texts.

Rama and Sita were reunited, and they returned to Ayodhya on the pushpaka vimana, a flying chariot.

Rama is crowned as King
Rama is crowned as King of Ayodhya on his return

Rama was crowned king of Ayodhya, and he ruled his kingdom with compassion and wisdom, ensuring that all his subjects were happy and prosperous.

Why is Ramayana important?

Throughout the story, Rama and his companions face many challenges and obstacles, but they always stay true to their values of duty, loyalty, and compassion. They show forgiveness and mercy, even to their enemies, and they never give up on their quest to do what is right.

Rama is known for his virtues, such as his devotion to duty, his unwavering loyalty to his family and friends, and his courage in the face of adversity.

Lord Sree Rama
Lord Sree Rama

The story of Ramayana is a timeless tale that teaches us about the importance of virtues such as courage, kindness, and perseverance. It shows us that even in the face of great challenges, we can overcome them if we stay true to our values and never give up on what is important to us.

How old is this story of Rama?

The story of Ramayana is believed to have been first told in ancient India over 2,000 years ago, and it has since become one of the most famous and beloved stories in Indian culture. The story has been retold in various forms, including plays, movies, and television shows.

Why are Rama and Sita important?

Ramayana is considered an epic is because of the depth and complexity of its characters. Rama, for example, is not just a heroic figure but also a son, a husband, and a friend, and the story explores the various roles he plays in his life. Similarly, Sita is not just a damsel in distress but also a strong and independent woman who faces her challenges with grace and courage.

The story of Ramayana also teaches important moral lessons that are relevant even today. For example, it emphasizes the importance of family values, respect for elders, and loyalty to one’s loved ones. It also highlights the consequences of greed, envy, and arrogance, and how they can lead to one’s downfall.

In addition, the story teaches the importance of perseverance, as Rama and his companions face numerous obstacles and challenges on their journey, but they never give up and continue to work towards their goal. It also emphasizes the importance of forgiveness and compassion, as Rama forgives Ravana for his actions and shows him mercy even after defeating him in battle.

Learn about Sree Rama Navami a festival in celebration of Rama.

What are some Indian movies made on Ramayana?

In southern India the telugu film industry has perhaps the most movies made based on the epics Ramayana and Mahabharata. These not only focused on just the overall stories but also made movies focusing on or around particular events within the stories. No other industry has explored it as much as they have.

Here is one of the movies based on the entire Ramayana epic:

Source

Here is another which focuses on what happens after the story above.

Source

On TV however, there were a couple of series made on the Ramayana and Mahabharata which ran for more than a year. These have been dubbed into many languages and are quite popular in most Southeast Asian countries decades after they aired.

The Ramayana, has had a significant impact on the culture and traditions of many countries outside of India, particularly in Southeast Asia.

In these countries, the Ramayana has been adapted into local languages and incorporated into various art forms such as theater, dance, and visual arts.

The story of the Ramayana is also reflected in local customs and traditions, including festivals, religious rituals, and even political events.

Here are some examples of how the Ramayana is important in countries other than India:

Indonesia:

The Ramayana has been a fundamental influence on the culture of Indonesia. In Indonesia, the epic is known as the “Ramayana,” and the story has been adapted into Javanese and Balinese languages.

One of the most prominent examples of the Ramayana’s influence on Indonesian culture is the wayang kulit, a traditional form of shadow puppetry that is popular throughout Indonesia. The wayang kulit often features scenes from the Ramayana, and the characters of Rama, Sita, and Hanuman are particularly beloved by audiences. The performances often serve as a way of transmitting moral and ethical values to younger generations.

Ramayana Dance in Indonesia Source

In addition to wayang kulit, the Ramayana has also influenced Indonesian dance, theater, and music. Many traditional Indonesian dances, such as the legong and the barong, feature characters and scenes from the Ramayana, while traditional Indonesian music often incorporates Indian instruments and styles.

The Ramayana has also had a significant impact on Indonesian literature, particularly in the epic poem the Ramayana Kakawin. This poem, which was written in the 9th century, tells the story of the Ramayana in Old Javanese and is considered one of the greatest works of Indonesian literature.

Cambodia:

The story of the Ramayana has been depicted in various forms of Cambodian art, including architecture, sculpture, and dance.

One of the most prominent examples of the Ramayana’s influence in Cambodia is the Angkor Wat temple complex, which was built in the early 12th century during the reign of King Suryavarman II.

Bas Relief Carving on Angkor Wat temple wall Ramayana Battle Scene – Source

The temple’s bas-reliefs depict scenes from the Ramayana, including the battle between Rama and Ravana, as well as various other mythological and historical scenes. These reliefs are considered some of the finest examples of Khmer art and are a testament to the enduring influence of the Ramayana on Cambodian culture.

In addition to Angkor Wat, the Ramayana’s influence can also be seen in other Cambodian temples and religious sites, such as the Banteay Srei temple, which is known for its intricate carvings depicting scenes from the Ramayana.

The goddess Sita, who is Rama’s wife, is believed by some Cambodians to be the ancestor of the Khmer people.

Thailand:

The Ramayana has had a profound influence on Thai culture, and its influence can be seen in various aspects of Thai society, including its literature, arts, and religion. The Thai version of the Ramayana is known as the Ramakien and is considered one of the most important literary works in Thai culture.

The influence of the Ramayana can also be seen in the names of Thai kings, as many Thai monarchs have taken names from characters in the epic. For example, King Rama I, who founded the Chakri Dynasty and established Bangkok as the capital of Thailand, took his name from the protagonist of the Ramayana, Rama. Similarly, his successors were named Rama II, Rama III, and so on, until the present-day King Rama X.

The capital city of Thailand, originally known as Krung Thep, was also named after a city mentioned in the Ramayana. The full name of Bangkok is Krung Thep Maha Nakhon, which means “The City of Angels, Great City of Immortals,” a name inspired by the city of Ayodhya in the Ramayana, which is described as the city of gods.

Temple from the ancient capital Ayutthaya named after Ayodhya – Source

Ayutthaya, also known as Ayudhya, is a city located in central Thailand, about 80 kilometers north of Bangkok. The city was founded in 1350 and served as the capital of the Kingdom of Ayutthaya until it was sacked by the Burmese in 1767. The name Ayutthaya is derived from the Sanskrit term “Ayodhya,” which means “unconquerable” or “invincible.” In the Hindu epic, the Ramayana, Ayodhya is the birthplace of the hero Rama, and it is described as a prosperous and powerful city. The name was likely chosen for the city of Ayutthaya to symbolize its strength and resilience, and it served as a reminder of the city’s ancient heritage and cultural ties to India.

In addition to these examples, the Ramayana has had a significant impact on Thai art and culture. The epic has been adapted into various art forms, including Thai classical dance, music, literature, and drama. The story of the Ramayana is also often depicted in murals and sculptures in Thai temples and palaces.

Laos:

The Ramayana has influenced the Lao culture through local adaptations and translations of the epic. The story has been adapted into the Lao language, and various dance forms like the “Nang Sida” and “Nang Sangkhane” are based on the story of the Ramayana.

Phra Lak Phra Lam dance from Laos Royal Ballet Theater- Source

One of the most prominent examples of the Ramayana’s influence on Laotian culture is the Phra Lak Phra Lam, a Laotian version of the epic that tells the story of Rama and Sita in a uniquely Laotian context. The Phra Lak Phra Lam features a number of differences from the original Ramayana, including changes to the names of the characters and the addition of Laotian cultural elements.

In addition to the Phra Lak Phra Lam, the Ramayana has also influenced Laotian art and architecture. Many Laotian temples, particularly those in Luang Prabang, feature carvings and murals depicting scenes from the Ramayana, while traditional Laotian textiles often incorporate Ramayana motifs and designs.

The Ramayana has also played a significant role in Laotian religion, particularly in the practice of Theravada Buddhism. While Buddhism is the dominant religion in Laos, many Laotians also practice a form of animism that incorporates Hindu and Buddhist beliefs. The Ramayana serves as a central text in this syncretic tradition and is often used in religious rituals and ceremonies.

Finally, the Ramayana has also influenced Laotian literature, particularly in the form of the Jataka tales, a collection of stories that tell the past lives of the Buddha. Many of these stories draw on themes and characters from the Ramayana, illustrating the enduring influence of the epic on Laotian culture.

Myanmar:

The story of the Ramayana is also an important cultural influence in Myanmar.

One of the most prominent examples of the Ramayana’s influence on Myanmar culture is the Yama Zatdaw, a Myanmar version of the epic that tells the story of Rama and Sita in a uniquely Myanmar context.

Yama Zatdow from Myanmar (Yama = Rama) – Source

The Yama Zatdaw features a number of differences from the original Ramayana, including changes to the names of the characters and the addition of Myanmar cultural elements.

In addition to the Yama Zatdaw, the Ramayana has also influenced Myanmar art and architecture. Many Myanmar temples, particularly those in Bagan, feature carvings and murals depicting scenes from the Ramayana, while traditional Myanmar textiles often incorporate Ramayana motifs and designs.

Malaysia:

The Ramayana has had a significant influence on Malaysian culture, particularly in the areas of religion and performing arts.

One of the most prominent examples of the Ramayana’s influence on Malaysian culture is the annual celebration of Deepavali, also known as Diwali, which commemorates the return of Rama and Sita to Ayodhya after defeating the demon king Ravana. This festival is celebrated by Malaysians of Indian descent as well as Malaysians of other ethnicities, and is a national public holiday.

The Ramayana has also influenced Malaysian performing arts, particularly the traditional dance forms of mak yong and wayang kulit.

Wayang kulit – Shadow Puppet Story Telling – Source

Mak yong, which originated in Kelantan, features characters and themes from the Ramayana, while wayang kulit, a shadow puppet theatre, often includes scenes from the epic.

In addition, the Ramayana has played a significant role in Malaysian literature, particularly in the Malay-language Hikayat Seri Rama, a retelling of the Ramayana in a Malay context. The Hikayat Seri Rama, which was written in the 15th century, features changes to the names of the characters and the addition of Malay cultural elements.

Overall, the Ramayana has had a significant impact on the culture and traditions of many countries outside of India, particularly in Southeast Asia. The epic has been adapted into various art forms and has influenced local customs and traditions, including festivals, religious rituals, and political events.

Here is another post with more information about Ramayana in southeast Asian countries.

Top image – Source

Disclaimer:

This is NOT an exhaustive excerpt. It takes days or weeks to go through the entire volume of work for this epic.

Each character has origin stories in great detail and those details help the reader or listener to understand the complexity of that character and their ultimate role in the entire story.

The above is a heavily summarized version and by no means should it be considered as an accurate representation. It is simply an attempt to introduce the epic to someone who has no idea of what this is all about.

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